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I want to buy an English version.
I want to buy an English version.Thanks.
ExcellentThere is only one downside: The book states, that banks should stop investing in IT, as "IT creates value for customers but destroys profits". That is something I cannot believe. It seems that these strategy consultants were afraid of IT Consultants snatching their projects.


Valuable but seriously flawed"Black Intellectuals" is a mixed bag: Banks doesn't so much "chart the contours" of African-American thought as merely hit many of its high spots; the book is too much a history of black intellectuals and not enough of black intellectualism. And even nonscholars will notice curious omissions and oversights. Despite its flaws, though, "Black Intellectuals" is valuable -- it tells the rarely heard story of black thinkers overcoming almost insurmountable barriers: first slavery, then no education, then inferior, segregated education, then discrimination in supposedly open education, and finally -- in only the last couple of decades -- actual equal access to top schools. Though Banks doesn't overdramatize and refuses to clutter his analysis with unnecessary rhetoric, the book leaves you wondering how any African-American prior to the civil rights movement managed to procure an education and an academic job. Discrimination against intellectuals funneled learned blacks into teaching and the ministry, Banks writes; at the turn of the century, more than half of black college graduates were working as teachers. But even the education establishment narrowly restricted blacks' prospects: "The white academic world was as inhospitable ! to blacks as were all other sectors of American life." Black colleges were substandard, expecting little from students and faculty and delivering less.
Shut out from white intellectual circles, 19th-century black thinkers held conventions, painstakingly crafting statements and resolutions that they realized would be ignored by state and federal authorities. Even in the glory days of the Harlem Renaissance in the 1920s, black writers and artists found themselves hampered by the particular agendas and interests of the well-meaning white patrons whose financial support was crucial. Banks describes how writers like Zora Neale Hurston were compelled by patrons to turn their work in uncomfortable directions.
Sometimes, though, black thinkers made questionable moves all by themselves, and Banks creditably humanizes his subjects by noting contemporaneous criticism of them and pointing out their suspect opinions and actions: Frederick Douglass disparaging black women writers; Booker T. Washington using political clout to "squelch black papers that crossed him"; Langston Hughes disavowing his leftist poetry before the House Un-American Affairs Committee. And Banks describes how, when the media trained attention on black militants in the late 1960s, many self-appointed authorities fell short: "By virtue of their race, not their training or interests, all black intellectuals were considered experts on race and the meaning of the black movement. . . . Quite a few dubious intellectual pronouncements flowed as black sociologists analyzed literary texts and black psychologists explained economic history."
By exploring the full range of African-American ideas (including, strikingly, dissenters like the 19th-century blacks who "resisted the principle of separate institutions and insisted that the public schools be integrated"), Banks places thoughts and thinkers in the context of history's vagaries. It's frustrating, then, that "Black Intellectuals" doesn't follow through on this well-rounded promise. In profiling and! highlighting a plethora of thinkers, Banks tends toward shallowness: He fails to draw black intellectual history in broad strokes, making connections between thinkers and thoughts; since he summarizes thinkers' views in a couple of sentences -- and doesn't tend to set those views in a continuum -- it's difficult to recall who thought what, and what difference it made.
He notes scholars' positions on political topics without actually exploring the topics and weighing the various positions taken. And he's scrupulously nonpartisan with regard to those topics; he gives dissenters equal space, muddying his goal of explaining how currents of thought developed. And there are numerous small omissions and overlookings that leave misleading impressions. There's a photo of author Alex Haley and a passing reference to his "Autobiography of Malcolm X" but no note of his groundbreaking "Roots" (and, therefore, no mention of his plagiarism). Bizarrely, the word "Afrocentrism," the wishful-thinking belief system that has proved unfortunately popular among black intellectuals as well as solace-seeking masses, doesn't appear until the book's appendix. And the appendix itself is odd: 54 pages of "selected biographies," solo paragraphs on each of dozens of writers, activists and other figures, from Benjamin Banneker to Spike Lee to Richard Wright. They are generally too selective and sketchy to be of much use, giving more space to college graduation dates than to ideas and achievements. And many choices are strange: James Baldwin's bio dubs the novelist/essayist "a sensitive boy" but fails to note his homosexuality.
While sociologist and activist W.E.B. Du Bois is the book's key figure, Banks devotes but a handful of sentences to his 1903 book "Souls of Black Folk," still the single most important work of African-American thought. More significantly, Banks dramatically underplays the classic protest-vs.-accomodation philosophical struggle between Du Bois and Booker T. Washington, which today's writers on race -- from Cor! nel West to the odious Dinesh D'Souza -- use to explain the intellectual paths that civil-rights activists have chosen and the arguments they have wielded. The Du Bois-Washington debate, still salient and alive today, provides a useful lens through which to view 20th-century race thinking; without it, Banks leaves the reader viewing black intellectuals somewhat, well, myopically.
Not precisely as the title would indicateBanks' text revealed itself to be moderately distinct from what I anticipated. He deals less with specific ideologies than with the chronology of people and their promulgated ideas. One particularly interesting sidelight related to the constraints on the Black Intellectual, until very recently, who elected to think "outside the box." In fact, vestigial reluctance by peers to acknowledge the contributions of individuals who give contemplation to subject matter outside the limits of Afrocentric or ethnic concerns still exists.
In sum, BLACK INTELLECTUALS is an indispensible overview, but definitely only a starting point for this area of investigation. The book is a commendable effort to consolidate referent material in convenient volume. It documents many of the pertinent parties but is admittedly not an attempt to be all-inclusive. What it does accomplish is immutable validation of the vast contributions of Blacks and specifically, Black Americans to every facet of art, literature, science and philosophy, in spite of the obstacles placed before them throughout the history of this country.
Black Intellectual Journey

Don't believe the liner notesSmith's 'poetic language' is boring, repetitive, and pretentious. Instead of finding the poetry that may exist under the circumstances, he forces his brand of poetry onto a framework that simply cannot support it.
There is only one scene that stands out. In it, an elderly man describes how, after hearing his wife urinate on their wedding night, he is unable to touch her. Why? Because she has ceased to be the idol of perfecttion he believed. She is merely human, and he cannot come to grips with it. In this one small aside, Smith creates an unexpected pocket of joy that has haunted me ever since. He should have concentrated on this individual, instead of continuing to torture the reader.
Cheap Ticket to Heaven
A novel that advances salvation through sin, lost and foundTracking two criminals married in crime and love, Jack and Clare, the novel offers Jack's introspective last look at his life of sin, one given over to a long line of bank robberies and prison sentences and beatings. Still, Jack spares little in his survey of a life so different it shines and horrifies its owner, even in the telling. Smith skillfully interrupts his story with (italicized) snatches of Jack's interview with a reporter, offering attempted objectivity at a criminal life often justified by pure desire - whether murderous anger or impulsive armed robbery.
Like remembered hymns lifted in a childhood sanctuary, this novel resonates with its relentless familiarity. Readers will recognize these odd characters, scarred and scared, whose inexorable descent into violence and death charges the novel not with doom but with an unexpected hope. We witness with something akin to belief as Jack lately realizes (courtesy of an elderly, wasted woman) that heaven can descend for those unable to rise.
This novel pierces many old myths even as it distinguishes itself with a voice and theme as familiar as it is unique. What appears effortless in fact is the opposite: a craftsman here toils over each word so that each phrase or line of dialogue seems inevitable.
While the obvious comparisons to other Southern authors such as McCarthy or Faulkner will surface as the academic world discovers this novel, as it will, Smith here displays a talent as disarming and unexpected as his first name. No other living American author, not one, offers us a fictional world with such tragic and beautiful sights.


If "Christian" means "of limited interests"Prefatory materials are clearly aimed at readers who have never been outside the USA, much less to the Near East, and are not bad so far as they go. Passports, jet lag and weather are covered, though the conversational Hebrew and Arabic are pretty minimal and those few travelers who aspire to talk to the locals in their own languages would be advised to supplement Dr. Dyer's jargon with tapes and phrasebooks. Most, however, will undoubtedly stay close to the bus and have no need for palaver with the natives or recent immigrants of whatever language.
Further aids are included. There is an entire schedule of suggested objects of prayer: good attitudes, the spiritual health and destiny of the bus driver, good weather and much more are among them. Following these hints are special focal points in Bible Study, several pages in fact before the actual Guide commences. And at the end of the book are appended quite a lot of verses (not Biblical ones, but rhymed & metrical stuff), maybe for singing, though there is no musical notation.
There are no materials on accommodations or nightlife, so the traveler will have to see to suchlike some other way. Visitors who are interested in what might have happened since "Biblical" times and are merely perplexed by the evidence they will presumably see around them may want to consider Baedekers or Blue Guides. But Dyer & Hattieburg's Guide will probably be satisfactory to the type of tourist who will buy it.
an excellent companion
Great Holy Land Pocket Reference Guide

Very very boring
This fine old book. . .
THE MASTER'S GREATEST MOMENT

Corrections to reviewsThe red piggy bank logo belonged to Sooner Federal Savings and Loan, and sat on top of 50 Penn Place.
Penn Square Bank had built what is now known as The Tower a couple of blocks down the street. They never moved into it, they were shut down while they were still inside the north end of Penn Square Mall, and the building was finished out after the closure.
Singer has relatives here in Oklahoma in the oil business, so he had some insight into the things that had happened.
If you want more detail, Belly Up goes into much more greater detail and is harsher in it's treatment of the characters involved.
Okiesmo LivesMr. Singer's book explains what was at the bottom of all of the trouble, how Penn Square fell from grace, and in the process of doing so provides interesting commentary on Oklahoma culture, as well as some history and other facts pertaining to the oil business. The book is very well written and quick paced, providing just enough detail to be considered in depth, while not languishing on unnecessary detail.
It is interesting to remark that the same conditions that caused everyone to say oil at $100 per barrel was a no-brainer are those that caused people to put forth the indestructible nature of internet-retailing. The Okiesmo of wildcats in pursuit of oil bears striking resemblance to the aggressive idiocy of venture capitalists fighting to put money into business plans that ignored common sense.
This book is satisfying on a lot of levels, the depth of information on the figures behind the bankruptcy, the environment that spawned and incented those figures and also the culture, both nationally and locally, which created this collapse. This is a very interesting book, and I highly recommend it.
interesting read on the Penn Square failureWhere Singer's portrayal contrasts with that of others is that he speaks from personal and cultural acquaintance with many of the primary characters. This does not stop him from having a little fun at the expense of what he calls 'Okiesmo', the wildcatting and high-living ethic of the oil and gas industry, but it does mean that he sees his subjects as being (in most cases) basically decent human beings who made bad assumptions and boneheaded business decisions.
The only thing Singer lacks is a deeper exploration of the factors at the upstream banks (Seafirst, Continental, Michigan National, Chase, and more) that allowed Penn Square to balloon out of control. As someone who has seen a few related documents that he can't say much about, I can tell you with certainty that the 'wild and crazy guy' ethic was not limited to Penn Square, and that without the eager participation of larger banks, the whole affair would have been relatively insignificant. Good book for those interested in Oklahoma history, the gas drilling industry or (naturally) the Penn Square failure.


Deceptive Packaging
Get with Reality
What New Mexico is really about

Laughing at the man in the Orange suit!!!
Triple A Personality - Artist, Author, Ambassador
Reality vs. Rumor

I am being generous with this 2.This book tells you nothing you cannot find out from another good player at a hall. The fomula given is usable. Unfortunately, it is not explained too well. The examples on the 3 and 4 rail kicks lack in quantity. The illustrations lack variations in shots and explanations on how to make a reasonable adjustment. A beginning pool player is not going to follow it. The other information in this book can be found in other books which are better written. 99 Critical Shots of Pool contains all this information and more.
This is not for the beginner. If you don't know english or have a good stroke, you will not benefit from this. This book assumes you already have the basics behind you.
I don't recommend this book.
Buy a tip pick instead. Or some chalk. Or a soda.
good at first but i got lost
Has made incredible difference in my game !!

Good but not what I was looking for.
Good overview of the major sites
Good if you are not familiar with Arizona
Thanks